alexander kedrin

Alexander Kedrin Interview – In New York with Victor Topaller (RTVi)

Tags: Alexander Kedrin, Interview, RTVi, Victor Topaller

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This is 12 of large-scale canvases that were recently photographed.

Early works from the 50′s were more representational.

“ In the 1950′s and 1960′s I was in my 20′s and I’ve tried to make a living as a painter. I painted stillife pieces which were sold through an art studio (which was state-sanctioned gallery ran through the artists’ union). I painted several stillifes on canvas and brought them to the art studio, and they sold righ away.”

“The pay was miserable, and this income was not consistent. So I have decided to earn more through ceramics. I started to learn more about ceramics, built the necessary equipment in my art studio, including the ovens. Ceramics was never utilitarian to me.”

“Every plate I made, however I used as a flat surface, akin to canvas, so every plate was a canvas/cardboard. I thought of ceramics the same way i thought of painting. I understood that in ceramics I was allowed to do what I was not allowed to do in painting (since within the Soviet Union abstract art was pretty much unlawful, with the only type of painting allowed – social realism – the painting style of the Party. Anyone not adhering to the style was destroyed (somtimes literally)). So I found ceramics to be as an “outlet.” The Communist and KGB leaders which would oversee every aspect of Soviet life at the time would consider ceramics as “craft” or “folk” art. Because of this, in ceramics I could be an abstract paintert that I could not be. My ceramics were not figurative and I could be true to myself and escape the constraints emposed on artists at the time. In the Soviet Union avant-garde painting was forbidden. Even impressionists were considered “avant-garde.” Natural forms and social realism were favored.” – Alexander Kedrin

This is part 1 of the 4-part video to be uploaded . It is entirely in Russian, I will try to add subtitles later.

Currently, I have updated the 1970′s gallery by including a large number of oil on cardboard works. I have included the gallery below, and it will have a permanent home on the right side (1970′s tab).

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I have found several images that were 35mm slides, and have decided to scan them in. Descriptions of the works will be added shortly as well.

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“Bakhor” (meaning “spring” in Uzbek language) ceramic sculpture was made in 1977, and installed inside the cafe of  “Yulduz” sewing factory in Tashkent, Uzbekistan.

2×5 Meters each (depth 35-40 centimeters), two similar reliefs/sculptures standing next to each other.

This was the first abstract (non-figurative) sculpture in Tashkent, Uzbekistan, which at the time wa part of the Soviet Union.

Tags: archive, Ceramics